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National Tap Seminar

PLEASE NOTE!

Due to funding shortages we will not be able to produce our annual National Tap Seminar in the Summer of 2004. Funding permitting, we hope to resume this unique event at a future date (funding and government institutions seem to care very little about this, but YOU can help, just click here and please, let your business and personal acquaintances know that they can help too!) Meanwhile, we DO offer another great, week-long intensive in  the Summer (Click here for all available info.) The Spirit Of Tap Conference actually offers far more class/course choices than the NTS, and has been receiving very high praise. See you there! 

 

 

 

 8th NATIONAL TAP SEMINAR  
 Monday June 24 to Saturday June 29, 2002
Conifer, Colorado

 WHAT'S NEW AND WHAT'S HOT

 2002 NTS highlights 

As usual, last year's students and faculty evaluations were used to make changes and improvements for the 2002 edition. We would like to thank those who filled out their evaluation forms and express our special appreciation to those took the time to provide in-depth feedback and suggestions via email and mail after the 2001 NTS (see pictures here.) Here is what's new, hot or changed this year:

 
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By popular demand the 2002 NTS is bringing back most of last year's fantastic, world-renown faculty, comprised of:

> Cassandra Baker
, principal dancer/choreographer with the National Tap Ensemble, one of the world's most talented master tappers
> Bril Barrett
, self-described funk tap "rhythmaholic"
on the cutting edge of the current tap dance renaissance
> "Ten toe wizard" Ira Bernstein, master of world percussive dance

> Chris Baker, Artistic & Education Director of the national company and Director of the American Tap Dance Institute.
 

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Open master classes will be offered in the evening.
 

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The styles that will be taught cover over 100 years of American and world rhythms across the entire spectrum of tap and percussive dance, from buck dancin' to hittin', from Irish step dancing to South African boot dancing and from show tap to jazz tap, including some great classics that are taught nowhere else.
 

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Over 2 hours of FREE studio space for personal practice and jam sessions every day.
 

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Again we have placed a strong emphasis on repertoire (no less than 11 repertoire-oriented courses!) Tired of the same old stuff? Need some new routines and new material in a wide range of tap styles? NTS is the place to go! Additionally there are 11 brand new courses!
 

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While all levels and ages will be taught, as always, an unprecedented number of courses and open master classes are available to tap dancers at intermediate and higher levels.
 

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On average tuition and other rates for 2002 are LOWER than last year!
 

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Over $1,000 in scholarships is available as a part of the work exchange program. Please see details here.
 

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Tons of generous discounts
1 - Group discounts.
Groups of 5 get a 5% discount on tuition, groups of 10 get 10% off, groups of 15 or more get 15% off and groups of 20 or more get 20% off (see the registration page for more info.) Come with your friends, you will save hundreds of dollars and have even more fun together!
2 - ATDI discounts. Graduates and actively enrolled teachers/students of the American Tap Dance Institute's Teacher Training Program are eligible for discounts of 25% to 50% on tuition.
3 -
Early Bird discounts. Simply register by February 15 and receive a large, automatic discount!
4 -
Teachers/Studio Owners Special. Coordinate your group's registrations by March 31 and receive large additional discounts (this offer is also applicable to any group coordinator.) Get your group signed up by February 15 and your own classes will cost you  next to nothing! Please see the registration page for details.
 

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The NTS will host the second edition of our unique and very exciting "Fabulous Taps" dance contests. Winners in each category receive significant scholarship prizes (over $1,500 available) that are designed to help them further their tap dance education (and get even better!) and become eligible to be awarded the title of National Tap Ensemble's Tap Dancer, Tap Dance Duo/Trio or Tap Dance Group of the Year for 2002. The winners of this NTS edition will perform their works at the NTS Show, the only such opportunity in the 2001-2002 season.
 

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The faculty will also perform at the NTS show on June 29 in Denver at 8:30 PM ! Advance purchase of your tickets is highly recommended! Click here for all info.

 

Please note!
This web site contains the most complete and up-to-date information on the NTS (we no longer produce brochures as they contain only a small fraction of the information available on the web site and they are quickly outdated.) If you still have any question after carefully reading this page as well as visiting the FAQ page. the Registration Page, the Faculty Page and the Studio & Surroundings Page please contact our staff by email or call  301-790-1180 (or toll-free 1-888-683-8277 from anywhere in the USA) and they will be happy to help you!

 

Click here to translate this page to and from English, French, German, Italian, Portuguese and Spanish.

 

 SEMINAR CONCEPT AND PHILOSOPHY
An unparalleled amount of combined professional experience give the NTE cast and guest artists a truly unique prospective on the state of tap dance, jazz music, show business and their closely intertwined histories. What these extraordinary performers know, what they learned from their own legendary mentors on and off the stage, what they have experienced themselves on the stage and in movies around the world is not the "stuff" that can be found in a book, in a video or on the Internet.  

"Not only has my technique improved, but I have learned more tap history in this one week than in my entire life"
Andi Larsen, CO

Held once a year, the company's National Tap Seminar is therefore a unique and wonderful opportunity for tap students and teachers to learn from the masters and to spend unforgettable times together in the Rocky mountains of Colorado, one of America's most beautiful regions. The NTS is held in Conifer, a small, quiet and charming Colorado town southwest of Denver that is secluded in the "Colorado Front Range Mountains" yet only a one hour drive from the Denver International Airport. The host studio, Peak Academy of Dance (PAD) prides itself in providing quality dance education year round and in making sure that NTS students and faculty are well taken care of. They have tap dance floors rated from good to very good by our very picky faculty as well as excellent sound systems. They also provide good meals! The work is intense but the atmosphere is relaxed and friendly. Highly qualified instructors and strictly limited class sizes (much smaller than in most intensive tap workshops and camps) result in a lot of personal attention and significant student progress. Students often learn so much that they come away feeling that they've been on a "tap time warp." The NTS is also attended by many tap teachers who go back home with tons of material to pass on to their own students. Hey, that's what it's all about!

"I always have so much fun here. I feel like all of you are an extended family in the dance world and look forward to seeing everyone each year when I return. Thanks for providing such a great opportunity to dance."
Courtney Smith, AZ

Tappers have been traveling from around the world to attend NTE's intensive seminars. (See Scrapbooks at the top of this page for pictures from previous editions.) This will be the 8th edition of this popular program. Aside from offering some great classes, the NTS is a multi-cultural, cross-generation, non-gender specific event that regularly brings together people from Asia, Europe, India, South America and all over North America, which makes the whole world feel like a very small and tappy place! (student feedback is included throughout this page and can also be found on the FAQ page.)  Students who register on the web site (97% last year) are automatically subscribed to their own free and private Internet NTS message board, which allows them to exchange tips, get to know each other before the Seminar and chat about tap by email. The NTS message board also makes it easy and quick for tappers from faraway cities and countries to seek lodging in local tappers' homes.

Come and join in the fun!

"It was great! I felt like I was living in tap shoes, and that's how I wanted it to be."
Sarah Kington, OH

 

 HOW THE SEMINAR WORKS... THINGS TO KNOW AND REMEMBER

Please click here for all program rules. Learn how to register and to how to save money. A must-read!

 

 ABOUT CONIFER, COLORADO...
Conveniently located on Highway 285, about 30 miles (45 kilometers) southwest of downtown Denver (about one hour from Denver International Airport,) Conifer is close to a few other charming mountain towns that boast historical landmarks such as Central City, Black Hawk, and Idaho Springs. The famous Red Rocks Amphitheater is nearby in Morrison. Red Rocks is a magnificent natural amphitheater carved by Mother Nature out of sand stone over thousands of years. The historic Georgetown Loop Railway is also close by. Please see the Studio & surroundings page as well as the  FAQ page for extensive information on the area, including activities, lodging, etc. Directions to the studio are provided in each Student Information package.

"Great time - Learned a lot and gathered lots of material to continue working on once I get home. A very skilled and enthusiastic team of teachers!"
Karin Dierckx, the Netherlands

 

 FACULTY
Please click here for biographies and pictures of faculty members.

 

 COURSES

TIPS

Courses and classes are for all ages (ages 8 & up) unless indicated otherwise.

Watch for the symbols below, which have been added to as many some course descriptions as possible to help you with class choices
:

     C stands for "Classic" and indicates a course that all tap dancers should take at some point in their life, such as for example a time steps course.

     R stands for "Repertoire" and indicates that a course places more emphasis on material, steps, routines, composography, etc ("what to" dance.)

     S stands for "Skills" and indicates that a course places strong emphasis on learning skills and proper technique at a given level ("how to" dance.) 

     NEW means new course this year OR new teacher for this course OR entirely new material taught in a returning course.

These symbols are merely intended to help you pick the best possible courses and should not be taken in an absolute sense. After all, any repertoire-oriented course requires skills. Likewise, a skills-oriented course will always feature some type of repertoire, even if it's a short combination of steps!

If you have never worked with the National Tap Ensemble before, we highly recommend that you use all the tools and info available on this web site prior to deciding which courses you'd like to attend: NTE's professional Tap Dance Level Scale,
NTS FAQ page.

Attention returning students: the faculty noticed once again last year that a number of students had moved "up one level" from the previous year and were having significant difficulties with the skills required. Please remember that the fact that you have been tapping for a year since the last event does NOT mean that you should automatically sign up for a higher level this year, unless you and your regular teacher(s) agree that improvements have been dramatic. Keep in mind that it takes several years for the average student in a typical studio environment to move up one level on our professional Tap Dance Level Scale.

If, after checking out all the above resources you are still unsure what to sign up for, we'll be glad to help. Send an email to our director with your questions. Make sure you give Chris Baker a good description of your background and experience, including the name(s) of the teacher(s) you have or had. The more specific and the clearer you are, the better he will be able to advise you!

We do our best to help you pick the courses and classes that will be most beneficial to you. Should that still not be totally successful, moving to another course is possible at the end of the first day (Monday) IS allowed, with faculty recommendation. 

 201    Fun-d’-mental Skills    level 2-3    Chris Baker    S
Clarity, Confidence, Accuracy, Phrasing, Sound Dynamics, Musicality,,, These are all subjects touched upon with the feet (and brain) during Fun-d’-mental Skills. This course is for dancers who are not absolute beginners, but who need to keep building on what they already know and gain an even stronger foundation for future tap studies. Whether your learn new steps or build on the steps which are most familiar to you, wait until you’ve "turned them around" the beat in the music, or used them to create a poly-rhythm with several others in the class at the same time, or started them on an unexpected beat within a bar of music, or are asked to put the emphasis (or "de-emphasis") on an unexpected beat during the step... That’s where tap dance starts to get really exciting! Chris also believes in working on tap technique skills from a kinesthetic approach. "Knowing where the step begins in the body will eventually lead to the desired outcome in sound and movement, and ultimately lead to more efficiency of movement as a bonus." Come on and give it a try! As a level 2-3 tap student, there are a lot of things to have fun with!

 207    Fundamentals Of Funk    level 2-3    Bril Barrett     S
This course will focus on the transformation of steps into rhythms. You will learn how to treat your feet like instruments and play different tones, sounds, volume levels, and convey various feelings. Lots of funky music will be used!

 215    The World of Percussive Step Dancing    level 2-3    Ira Bernstein    R    NEW
Mr. Bernstein will teach a variety of percussive step dances from his wide, international repertoire. Material will be selected from Irish step dancing (reels and jigs), English clogging (hornpipe or reel), French-Canadian step dancing (reels or "Le Brandy"--12/8 time), Appalachian flatfooting and South African Boot Dancing. For all the styles, emphasis will be placed on the musicality (rhythm and tone) and style of the different forms.
Note!
Regular tap shoes will suffice for all the dances done in class. However, if you already own Irish hard-shoes (fiber tips or nails, not soft-shoes) or English clogs (not open-backed Scandinavian clogs or completely carved-wood Dutch clogs), bring them to use for those dances, though they are by no means required to participate in this course.

 313    The Beat    level 3-4    Bril Barrett    S    R    NEW 
This course is all about recognition and execution of the beat. Bril will use plenty of funky music and use various methods of timing and phrasing to also give you some insight into the world of improvisation. Time to cut loose!

 314    Swing Tap Repertoire    level 3-4    Chris Baker   R    NEW
This course features a brand new, complete tap dance piece. The swing beat is to tappers what water is to fish: they just can’t do without it! It has always been at the very core of the dance and is experiencing a very strong revival in both couple dances (Lindy Hop and swing) and tap (swing was “da beat all across America and around the world decades before funk came on...) Simply put, Swing Tap Repertoire is all about learning how to interpret a great piece of jazz music through a great piece of tap composography (choreography.) Subtle syncopations, sophisticated moves, easy steps, tricky steps, you name it. Above all, it swings! You don’t have to bring your zoot suit (although, come to think of it...) but you sure will be a hep cat in this class, baby!

 401    Skills & Drills    level 4-5    Cassandra Baker   S
Have you been taking your vitamins lately? In this popular technique course, students dance to great music while learning exercises and combinations (a. k. a. vitamins for the feet) which will help them in time to clarify their sound (including dynamic changes) and to work towards improving their movement efficiency, timing and phrasing. This course is for dancers who already have a solid foundation (with both technical and listening skills) and desire to get ready for the "hot stuff" at upper levels.

 408    Repertoire, Shim Sham Craze, part 2    Level 4-5    Cassandra Baker    C    R    NEW
She’s at it again! In this course Cassandra teaches you several more variations on the Shim Sham Shimmy, the “Tap Dancer’s Anthem,” (including the historical background of each one.) This year Cass will be introducing a NEW two-chorus “Bill Robinson Shim Sham” (originally performed by Shirley Temple) among all the other Shim Shams in the course which span over seventy years of creativity by some of America’s great masters of tap.
Note!
This course IS more difficult than the “standard” Shim Sham Craze course (301) often taught by Ms. Baker. Sign up ONLY if you are working at a solid level 4 or above. Come jump, pop, and skid-dle-e-bop with us... and don’t forget your Shimmy!

419    Eddie Brown’s Scientific Rhythm Tap    ML (Multi-Level) 4-7    age 12 & up    Chris Baker    C    R    NEW 
This course explores the legacy of the late great Eddie Brown (one of Mr. Baker’s illustrious mentors) who liked to describe his own style as “Scientific Rhythm Tap.” The material taught covers some “classics” as well as some unbelievable rhythms and steps created by the legendary hoofer. Eddie Brown’s Scientific Rhythm Tap also features excerpts of a beautiful piece created by Mr. Brown for the national company, personal anecdotes, and footage of the great master which has never been shown to the public.
Note!
1 - This course is part of our new Masters Of Tap Dance series, subtitled “Exploring An American Legacy: Tap Dance Giants At Work” which features courses, research, reconstructions as well as other educational and performing events.
2 - This course will be taught at “two speeds.” Because of the complexity and sophistication that are inherent to E.B.’s works, both intermediate & advanced tappers (levels 4 and 5) and pre-pro to professional level tappers (6-7) can truly get a lot out of this “exploration” class. Eddie Brown’s material has incredible depth and is a bit like a Picasso painting: it looks simple and easy (some will say simplistic, compared to a Renoir), that is, until one picks up brush and starts painting...
3 - Although this is a rep. course, a few technical skills that are central to Eddie Brown’s work, such as thirds (also called scuffles, riffles or multiple-count shuffles) press cramp rolls and paddle & rolls will be demonstrated, reviewed and practiced. However, signing up for this course is NOT recommended if you have never done these steps before.

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Notes about courses below 
- These are courses for levels from truly advanced to pre-professional and professional level dancers (levels 5 to 7, regardless of age). Students are expected to be highly skilled technically, to be able to "phrase " with their taps (i.e. to hear and perform melodic/rhythmic lines, not just steps) and to be proficient in different tap styles.
- At this level some very advanced concepts and techniques may be explored and steps are not "broken down," unless the instructor feels that it’s absolutely necessary.
- Not up to those levels yet? Sign up as an observer. Watch them do the hard work!
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 508    Jazz Flatfooting    level 5-7    Ira Bernstein    R    NEW 
Ira will teach the technique and style of Flatfooting and apply it to jazz music. Flatfooting, though originally and traditionally a southern Appalachian form of percussive step dancing, can be used as a double-time tap technique. Ira has originated this concept and developed it as a specialty, so this course is a tremendous opportunity to get “the real deal.” As in all of his classes, Ira will stress step repertoire, clarity of tone and rhythm, and a relaxed, natural physicality. The class will begin with introductory and basic vocabulary and progress at a fairly quick pace.

 509    Skills A La Carte    level 5-7    Chris Baker    S    NEW
Are there steps or rhythms that constantly “bug you” (you know, those that always seem to be so hard to perform) even though you are an advanced tap dancer? Do you feel really strong at performing most rhythms, except for a few that make you stumble or loose the beat? Is there an area where you feel weak, which in turn limits the impact of your performance and the joy you get out of it? This course is definitely for you! Once again Chris Baker breaks new ground, this time by offering tappers at advanced to professional levels a “clinic” that gives them the unique opportunity to actually participate in choosing what each daily class will concentrate on! Wanna learn easy ways to do pick ups in all directions? How to do a 5-count wing? How to do a 7-count shuffle? How to change rhythms and phrasing at will? How to feel more comfortable with Improv’? How to deal with stage fright? No problem, all you have to do is ask! Chris is famous for his ability to help tappers “fix” their problems, going as far as undoing and rebuilding fundamentals that were taught incorrectly to the dancer years or decades ago.
Note!
1 - By “skills” we mean any skills, including musical skills, performing skills, etc. (not just technique, there’s a lot more to tap than technique!) The ultimate goal is this course is to help tappers liberate themselves from those pesky weaknesses, whatever they may be.
2 - In order to provide an atmosphere that is as nonjudgmental and relaxed as possible no observers will be allowed in this course.
3 - Yes, you will actually have a chance to place a request describing exactly what you’d like to work on! Please do so in the Comments box of your registration form. Start with what comes to mind, you can always add on to that by emailing the NTE staff later, as long as you do so before June 14. Of course, you do not have to request something, but, hey, why would one miss out on such an opportunity?

 511    Madd Rhythms    level 5-7    Bril Barrett    R    NEW 
This course is summed up by its title! Madd rhythms is all about expression. Learn a funky, hip-hop tinged combination and play around with improv’ methods as you expand what Bril calls your own “tapcabulary.”

 516    Tap On Film: Hollywood Repertoire    level 5-7    Cassandra Baker    C    R    NEW 
Learn composography (tap choreography) recreated in all its authenticity from one of Hollywood’s greatest classic Shirley temple films. A fantastic opportunity to rediscover how the great Bill Bojangles Robinson’s tap dancing style could adapt to very different types of rhythm, including military music. An entire piece will be reconstructed, complete with its contagious rhythms, props, and those challenging Bojangles steps that really keep you on your toes!

 610    Ira's Jazz Waltz    level 6-7    Ira Bernstein     R    NEW 
This is Ira's 7 chorus (32 bar choruses) jazz waltz. Originally choreographed to "Waltz for Carl," it can be danced to any standard-form jazz waltz (32 bar or 64 bar forms). Ira teaches the full routine, stressing rhythm, clarity of sound and tone, and a relaxed, natural physical style.

 

 OPEN MASTER CLASSES
We are pleased to offer nine stand-alone master classes in response to the long-standing wish of those local tappers who have a day-time job and cannot attend NTS courses at all. These "open" classes are also great for those students who would like a little taste of a master teacher with whom they do not have a chance to study during their course schedule.

Each class will be taught at 7:15 PM by a different master teacher. To keep things simple and speedy we have implemented flat rates for these master classes. Please see the registration form for details. 

"NTS was great. The knowledge and experience I  gained here are priceless. This camp really made me realize why I love to tap."
Kelly Sortino, IL

 

 SCHEDULE
Important!
1 - Once registrations are closed for a given course or class (i.e. once there is no more space available in it)
that course or class will be on a GRAY background, instead of a yellow background, like this:             
2 - This web site is the ONLY place where you can obtain real-time, accurate information on course availability. 
Always check it first if you are wondering about space in any class or event!

 

 

June 24-29, 2002

STUDIO A

STUDIO B

1

9:25 - 10:40 AM

419   Eddie Brown’s Scientific Rhythm Tap   level 4-7   age 12&up   Chris Baker 207   Fundamentals Of Funk   level 2-3   Bril Barrett
2

10:50 AM - 12:05 PM

314   Swing Tap Repertoire   level 3-4   Chris Baker 511   Madd Rhythms   level 5-7   Bril Barrett
3

12:15 - 1:30 PM

 509   Skills A La Carte   level 5-7   Chris Baker 215   The World of Percussive Step Dancing   level 2-3   Ira Bernstein
4

1:40 - 2:55 PM

408   Repertoire, Shim Sham Craze, part 2   Level 4-5   Cassandra Baker 610   Ira's Jazz Waltz   level 6-7   Ira Bernstein
5

3:05 - 4:20 PM

508   Jazz Flatfooting   level 5-7   Ira Bernstein 401   Skills & Drills   level 4-5   Cassandra Baker
6

4:30 - 5:45 PM

516    Tap On Film: Hollywood Repertoire   level 5-7   Cassandra Baker 313   The Beat   level 3-4   Bril Barrett 
7

5:55 - 7:10 PM

201   Fun-d’-mental Skills   level 2-3   Chris Baker Practice & Jam session. Open to registered students only.
8

7:15 - 8:30 PM

Open Master Class level 5-7
832    06/24   
Bril Barrett
834    06/26   
Ira Bernstein
835    06/27   
Chris Baker
836    06/28   
Cassandra Baker

Open Master Class level 2-4
837    06/24     
Ira Bernstein
838    06/25    
Chris Baker
839    06/26   
Bril Barrett
840    06/27   
 Cassandra Baker
9

8:30 - 9:30 PM

Fabulous Taps Contest
06/25   Solos & Duos/Trios
06/26  
Groups

Practice & Jam session (except 6/25 and 6/26). Open to registered students only.

 

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"You gotta see it and try it to believe it!"
Ramit Kumar, INDIA

 REGISTRATION

Click here to go to the registration page for all rates and registration details.
 

 NTS SHOW

Click here for location, show time, online purchases and all details.