 
Here are the MINIMUM STANDARDS
established and adhered to by the USA's national tap dance company for adequate
and safe tap
dance floors. This page is provided at no cost to readers as a safety guide and as a public service.
Appropriate flooring for tap dance (and most
other percussive dance traditions) MUST
have:
1 - A TOP LAYER MADE OF HARD WOOD. Oak, maple or other hard woods are fine.
Pine, beech, birch or other softer woods are acceptable for the occasional use
but will not sustain extended tapping (more than a few hours) without possibly
irreparable damage (note that plywood or masonite are NOT "real wood," whether soft or hard!) The
wood should NOT be painted, varnished (most polyurethanes are OK though) or
waxed.
2 - HIGH RESILIENCY, indicating that the flooring is sprung, or “bouncy” (also
called floating floor or suspended floor.) You can
easily test this by jumping on the floor or stage while wearing hard soled shoes (note
that sneakers won't work as they will absorb shock and give you the false
impression that the floor is resilient). If the floor feels hard as concrete
and has no "give," chances are that the top layer was directly laid over
concrete, offering no resilience at all. Inadequate resilience is unacceptable
because it is simply dangerous for tap and other percussive dancers. Beware of
wooden floors that are actually glued to concrete, such as those shiny ones
that can be found in many upscale shopping malls! They offer no resilience
whatsoever and are also an absolute "no-no." Beware also of those
ballet/jazz/modern subfloors that are simply made of plywood or masonite laid on
a foam layer or small foam blocks (usually one to one and a half inch, or two
and a half to four centimeters, high.) The materials used for that type of foam
may offer enough bounce for ballet/jazz/modern dance and aerobics BUT they do
not offer the unique resiliency/resonance/injury prevention combination that is
required for tap dance (its parameters are significantly different, see #3 and
FAQ below.) Because the tap dancer constantly strikes the floor - much like a
drummer strikes a drum - which adds considerable stress/pressure on the spine
and all gravity-dependant joints, the minimum level of resiliency required for
tap is considerably higher than in other dance traditions.
3 - RESONANCE, which indicates the floor’s ability to sound somewhat like a
drum, is intimately connected to resilience. There must be some space - at
least two inches or five centimeters - underneath the top layer of the floor
for this to happen. You can easily test this by jumping on the floor while
wearing hard soled shoes (again, not sneakers as they absorb sound and give
you a false impression that the floor is not resonant). Stomp hard with one
foot and listen for the sound that spreads around the room (you may ask
someone to sit in the back of the room and give you some feedback). If little
or no sound comes out, chances are that you are on a wood floor that was
installed/glued
straight over concrete (again, such as those found in many shopping malls) or nailed
directly on top of sleepers (wood or metal beams) which themselves are just laying on concrete. Such floors
allow for a very limited sound range, even with tap shoes on, and are also
potentially very harmful to tap and other percussive dancers. They are to be
completely avoided, whether a tap dancer is a beginner or a professional.
4 - A CRACK-FREE SURFACE, referring to any damage to the wood boards
themselves or spaces between the boards on
the floor. Likewise, nails, tape or sticky tape residue are dangerous and
therefore not acceptable.
In our professional opinion, which is based on decades of combined experience
as teachers and performers working at the highest level, and which just as
importantly is not tainted by commercial relationships with or allegiance to any
flooring manufacturers or vendor, TAP DANCE CANNOT AND SHOULD NEVER BE PRACTICED, STUDIED OR PERFORMED ON
SUCH SURFACES AS:
- carpet
- plywood
- masonite
- laminated, hardboard, strand board or MDF (Medium Density Fiberboard) flooring
- poured rubber (“gym
floor”)
- vinyl-type flooring (Marley, Harlequin, Rosco, "battleship linoleum" or
ANY
other type of linoleum/vinyl-based product, etc.)
- the type of portable, parquet-like flooring that is typically rented/bought by
hotels, night clubs, party/entertainment/event companies, DJs, resorts, etc. for
ballroom, swing or other types of social dancing.
- plastic or composite flooring
- cement/concrete
- tile
- marble (yes, we've seen
it!)
- non-sprung wood floors
or any flooring that does not meet the four MINIMAL criteria
listed above.
The fact that the injuries caused by
inappropriate flooring are rarely "immediate and obvious" (broken leg,
sprained ankle, etc.) because they
are micro-injuries which may not result in noticeable damage to ligaments/bones/muscles
until years or decades of tapping have gone by - at which time it is too late
to heal arthritis or other serious pains and medical conditions - does NOT
make these injuries less of a problem. But it does make it
easier for some greedy manufacturers to sell "one-floor-for-all-needs" products
to unsuspecting studio owners, theaters or dance organizations (and even to
some college dance departments!)
This is most unfortunate as it should be common sense that the needs and requirements of ballet/jazz/modern flooring are
DRASTICALLY different from those of tap/clogging/flamenco and all other percussive
dance traditions.
FOR THE SAFETY OF YOUNG TAPPERS, WE URGE PARENTS TO TAKE THE
INFORMATION PROVIDED ON THIS PAGE (http://www.usatap.org/aft.htm) INTO ACCOUNT BEFORE ENROLLING THEIR
CHILDREN IN ANY PERCUSSIVE DANCE CLASS. TAP DANCE IN PARTICULAR, SHOULD NEVER BE STUDIED, PRACTICED
OR PERFORMED/TAUGHT ON BALLET/MODERN/JAZZ
FLOORS, JUST LIKE BASEBALL SHOULD NEVER BE PRACTICED/PLAYED ON ASPHALT.

TAP AND PERCUSSIVE DANCE FLOORS FAQ
(Frequently Asked Questions)
Please note!
The answers below are provided as a free,
public service by our cast, NOT by floor builders or manufacturers. Consequently, technical
questions regarding flooring such as "how do I build...", "what kind of
wood..." , "how do I maintain..." "do you have technical
plans..." CANNOT be answered here.
- You
mention that the "needs and requirements of ballet/jazz/modern flooring are
very different from those of tap/clogging/flamenco and all other percussive
dance traditions." How different? Isn't dance just dance? We just moved to Los
Angeles, my daughters love to dance and I am looking for studio that has
decent standards, so this is important to me.
They are indeed
fundamentally different, and in many ways diametrically opposed. So much so
that it boggles the mind that so-called "professionals" would even consider
using the same floor for both (where has common sense gone??!!) Let's look at
a few areas, just as examples (we'll use the term "ballet" for
ballet/modern/jazz, etc).
Sound. Ballet seeks to make as little sound as possible. On the contrary tap
needs to produce sounds that are as loud and, more importantly, as wide-ranging as possible.
Slipperiness. Ballet needs "sticky" flooring that slips as little as possible
(that's why many ballet dancers use rosin even on vinyl flooring that is
already quite sticky by itself.) Tap on the other hand requires flooring that allows for
much greater "speed" and a wide variety of moves/sounds (such as scrapes,
slides) and is therefore much less sticky. Note that floor stickiness is not a
good thing for tappers, but a bad thing as it is one of the leading factors in
micro-injuries. A sticky floor also prevents tappers from gaining good balance and control
instead of helping them
(this is a fairly common misconception.)
Shoes. Ballet requires flooring that accommodates soft, pliable shoes. Tap is
the exact opposite, requiring flooring that accommodates hard shoes fitted
with taps, an even harder material.
Etc, etc.
As to your second question, we would prefer to stay away from such
generalizations. We happen to like (and have practiced/performed) not just tap
but many other dance forms, and while they are all great, there are so many
differences between them that we do not see how it would be possible to put
all of them in the same "bag." More importantly, remember that in tap the
SOUNDS that are produced are paramount since it originated as a form of MUSIC,
whereas ballet is and always was a form of DANCE, with the "visuals" (the way
dancers and choreography look, i.e. what we SEE) being the most important aspect. While not
being able to see the dancers at all in a tap performance might result in an
interesting and possibly very rewarding auditory experience (if the dancer is
any good of course) not being able to see the dancers at all in a ballet
performance would be a most frustrating experience for members of the
audience!
.
- I
just received this nice brochure from [manufacturer's name withheld]
and they claim that their [model name withheld] floor is "ideal for all types
of dance and aerobics." What do you think?
To our minds this is simply
astonishing. It is akin to trying to sell an ice rink to a football team, or a
gym floor to a Nascar team.
But hey, as long as there are unsuspecting buyers, there will be sellers!
- I
understand that a Marley-type ballet floor isn't suitable for tap, and I
couldn't agree more with that. But would a good tap floor be suitable for
ballet and how? Also, is there ANY way I can use it for both types of dance?
If your tap floor is up to the
above standards AND you cover it with a layer of Marley or such you should end
up with a pretty decent ballet floor. Instead of taping narrow vinyl rolls
together as many studios/stages do, we'd recommend that your order it from a
reputable manufacturer in one roll that is the width of your studio minus two
inches and the length of your studio minus two feet. This way you will never
have to deal with tape, which can be very messy, and all you have to do is
roll the vinyl in for the ballet classes and roll it out for the tap classes!
-
Where would you recommend that I buy a good tap floor?
We have performed and taught
on just about everything you can think of, but sadly we are yet to find one
commercially-available floor that meets the minimum standards described above.
But if we ever do we will let you know right here!
- I
saw somewhere on your web site that you have your own portable tap floor. It
must be up to the minimum standards on the "Appropriate Flooring for Tap
Dance, right? What company did you buy it from?
Our own floor significantly
exceeds those standards. It has always been custom-made to our specifications
and has evolved significantly over the years. Unfortunately it is not
available commercially (it is VERY expensive anyway.)
-
There is a floor manufacturer ten minutes away from my house and I know the
owner. I bet they could develop a floor that meets your minimum standards.
Would you be willing to test it, and how do I put them in touch with you?
We would welcome the
opportunity. You will find all the contact information for the company
here.
- If
resiliency according to your standards is much higher than usual, will such a
floor be too "mushy" for other types of dance? What about stability or impact
isolation?
Indeed a tap floor that adheres to our
standard has much more resiliency and more shock absorption than most
people are (sadly, and by force) used to. While it does mean that the floor will be gentler on the
body and safer for other dance styles such as ballroom, African, or
jazz/modern/ballet (with a vinyl top layer, see above), it does not mean that
the floor will be soft or unstable if it is properly constructed and if it uses
hardwood with the right thickness (there can certainly be impact and/or
stability issues with flooring made of some of the newer materials or flooring
that isn't structurally strong enough, but that isn't the case for ours.)
- What
are the consequences if one taps on carpet or concrete? Can injury to the
ankle occur and what type?
Carpet and concrete are two very
different things! We shall assume that what you mean is carpet that has been
laid down right over concrete, a fairly common occurrence in today's construction.
The types of injuries related to tapping on concrete or other such inflexible
materials that we have observed over all these years affect the lower
and middle part of the body, and not just the ankle, including muscle/ligament
tears, heel spurs, shin splints, stress fractures (ankle/leg area), Plantar
Fasciitis, chronic lower and middle back pain, etc. and micro-injuries
resulting in tissue degeneration for people in their thirties and forties
(early onset of "arthritis") which is decades before this should happen in the
"normal" aging process.
When you think about it, even today's long distance runners, with their fancy
shoes full of high-tech energy-absorbing cushioning still complain of problems
due to repeated pounding from running. We all know that tapping is far more
demanding as far as the "pounding" is concerned, so tapping on non-resilient
floors just doesn't make any sense. The bottom line? Tapping on concrete
is potentially very, very dangerous!
- I
was wondering what materials in certain floors makes louder sounds from the
tap shoes?
This is a very complicated issue as there are many parameters involved, but if
one considers strictly the floor itself, generally speaking "real" wood,
especially hardwoods such as oak or maple produce a sound range (not just
volume) that is far greater than plywood, masonite, and the like. Just as
important, the quality of the sound is much higher, resulting in
something that is far more pleasing for both the audience and the performer.
-
I have created a personal Tap floor that seems to meet your requirements. As a
Tapper myself, I agree with your opinions about what to tap on. After many
years of disign, I take great pride in my creation. I would like your opinion.
The front office tells us that you
sell this product. We cannot give opinions on something we have not tested but
we will be happy to test it just like we're always happy to test flooring from any
other manufacturer. FYI for full testing we typically need to receive a
section that's at least 8 X 16 feet and we need to have it for at least half a
performing season (roughly 6
months) so that it may be tested in a variety of conditions.
Contact the PR Director if you are interested in
setting this up.
- I am
an adult intermediate tapper and have a bizarre "performance" of sorts coming
up this week. My tap performance will only last for 2-3 minutes (if that
long). Thus, my question is more about my taps: will tapping on smooth, shiny
cement harm them?
Yes. But that's nothing
compared to what it will do to your body... You may not feel the effects right
away but trust us, one day you will.
PEOPLE, PEOPLE, WHY ON EARTH WOULD ANYONE
STILL TAP ON CEMENT IN THIS THIRD MILLENNIUM? One again, TAPPING ON *ANY*
NON-RESILIENT SURFACE IS DANGEROUS AND IS HARMFUL TO
ONE'S BODY!
-
I have chipboard flooring with industrial carpet and looking for a portable
floor to go on it for practice. I’ve been tapping in the garage for years &
after studying massage realize the damage I’m doing. Is there a particular
material you recommend? Is there any type of wood I could get without breaking
the budget?
The answer is right at the top
of this page...
-
I am trying to turn my garage into a home gym/practice tap dance studio for me
and my daughter. The flooring is concrete now, and apparently you can't cover
that with hard wood flooring. Would either Pergo flooring or vinyl squares be
satisfactory for practicing? Thank you.
When these new types of floors
came onto the market we had high hopes that they would be great for just such
a purpose. Unfortunately, while these companies have done a great job making
these floors look "just like wood," their products are still made of very
hard plastic which can be, or can become, extremely slippery. For that reason alone we
just can't recommend them. Tone-wise we have also found that they are limited to a surprisingly
narrow range.
-
Can the top layer of hardwood flooring be veneer?
We asked the company that has
been making our floors for many years. They say most veneers are designed and
built for cabinetry, not flooring applications. See question above also.
-
I have recently opened a studio and am
recruiting Irish and Flamenco teachers. We wish to build our own sprung floor
for the back studio. Where can I get instructions on how to build one to your
standards?
We are caught between a rock and a hard place here. We'd love to help you but
we're tap dancers, not floor builders. We did ask our custom designers but
they said no way, that would be giving away their trade secrets and they're
just not willing to do that. Sorry! HOWEVER, there have been so many requests
that we are trying to convince them to put
this fantastic floor on the market. Stay tuned...
-
What is the best available portable tap mat/floor 3'X3' or 4' X 4" for use in
carpeted bedrooms, hotel room or on a wood deck outside.
We do not use those because
they have no resonance so it's hard to tell. We do have a colleague who
occasionally uses those, and said that he bought an excellent one in the
carpeting section of his local Home Depot for about $75.
- I'm
a flamenco dancer with a noise problem. I like to practice late at night in my
home studio, but I get complaints from the neighbors. Is there any kind of
flooring or underlayment you can recommend to help muffle the noise/vibration?
Of course, this floor is not for performance, only for my home practice.
If you muffle the floor you
would then be trying to make sounds without... making sound, which is kinda
tough. One way around that would perhaps be to insulate the room's walls and
ceiling with recording-studio-quality sound baffles. Just practicing tap in
regular leather shoes is almost as good as practicing with taps on, you could
also try to practice your flamenco steps in other shoes, perhaps boots without
the nails?
-
I need a surface for practicing on that
I can place over my carpeted home. I was told I could use a piece of plywood.
I was also told I could use Marley over the plywood. Since neither is
suitable, how can I create a practice floor using the right surface material?
Would Oak plywood be okay to tap on? Thanks.
See #14 and #16 above. Also, we are told that
the oak in oak plywood is only a very thin top layer that if tapped on is
"subject to quick delaminating and other serious problems. Again, hang
tight...
-
What type of mat was being talked about when Home Depot was mentioned. It
was said to be available in the carpet section. Thanks.
Those "roll-out" mats are
basically made of a canvas covered with thin wood slats with an "open tongue
and groove" design that allows for some play between the slats (they look
like a "wood carpet", we're not sure what exactly Home depot calls them but
they should be easy to find.) Because of that, they can be rolled in and out
easily which makes them very portable. But, but as mentioned above they have
major downsides that make them less than ideal for tap dancers. They allow
for no resonance whatsoever, hence their very limited tonal range, they are
quite small, and our colleague also says that when he does certain moves the
whole mat slips on the floor or carpet from underneath him so he feels he
can't go full out.
-
What is a "reasonable and realistic size" for a tap dance floor one wishes to
use basically for exercise and tone up purposes? Could I use it for both types
of dancing?
We'd say about four by eight
feet. When you wish to tone up and work out, simply add an excercise mat for
anything that needs to be done on the floor, like ab crunches, etc.
-
I am a member of a tap dance group in Boston. We are having a show in a few
months, but we outgrew out previous venue, and the bigger theater in the area
does not have a floor suitable for tap. Do you have any suggestions as to
where we could rent one?
Again, we have performed on
just about anything and everything, both here and overseas, including on all
kinds of temporary floors, with some being rented to the theater for a small
fortune as "the ideal floor for tap dancers." The bad news is that in every
single case it was total bunk, and some of these floors were actually so
dangerous that, thanks to our contract, we were able to demand and get
something better. The good news is that we are testing a new kind of flooring
that is portable, safe, and sounds great. We will let you know right here if
they ever decide to put it on the market.
-
I work around people tap dancing on painted masonite all the time. They slip
quite often and what we usually do is apply a non-skid coating on the surface.
As the floor is a scenic element in the show and painted, how do we tap and
have the show look good at the same time?.
Tough question. At the very
least you'd have to use another type of flooring. Yes, Masonite is dirt-cheap,
yes, it is paintable, but, as stated at the top of this page it is NOT
appropriate for tap (including for amateurs, why should it be OK for people to
get hurt and get crappy sound just because they're not pros, right?) Plywood
is worse. Try real wood, that's what they used in the olden days!
-
Interested in hearing when an
appropriate tap floor for home use becomes available. Thanks.
No problem. We get this
question A LOT. Once we have tested one or more that meets our minimum
standards, we will let you know, right on this page.
-
As you recommend hard wood floors,
could you tell me how thick the top layer should be in order to get the best
sound and flexibility?
What you are referring
to is only one of MANY parameters that come into play. As our tests have often
shown, because some of these parameters can intreact with each other in
dramatically changing ways, there is unfortunately no simple, "general answer"
to your question.
-
Hello, could you give me information
regarding portable flamenco dance floor/carpet. Carpet to practice tap
flamenco step (in order to avoid deseases) that you can put in any hard floor.
What are the prices/the size/the weight.. etc. Thanks for answering as soon as
possible.
Sorry, we've had a bit
of a hard time understanding your question, but just on the off-chance that
you were referring to "what kind of carpeting to put on a hard floor" to
practice flamenco, we asked a couple of flamenco colleagues what they thought,
and their reactions mirrored ours. The bottom line is: NEVER, EVER USE CARPETS
FOR FLAMENCO, TAP, OR ANY KIND OF PERCUSSIVE DANCE! It sounds terrible, and it
isn't safe. This is actually explained right at the top of this page!
-
"I
am a lindy hop dancer who is moving into tap, so i'm a
total newbie. Just bought a pair of Leo tap shoes. My
question is, Will tap dancing damage a normal wood
floor or portable competition floor? Thanks."
Not sure what
you mean by "normal floor." It depends of how
the floor is built and out of what. It also depends
greatly on what kind of taps you have on these shoes
(especially if they have sharp edges or not.) FYI
ballroom floors might be OK for the occasional
practice but very few have what it takes to ALSO make
a good tap floor. Have a look at the Public Service
Info above for
more details.
-
I was told I could practice at home on
a 4' x 8' plexiglass board. What are your thoughts/recommendations about that?
Plexiglas is NOT a resilient material. Yikes!
-
I am a Litrugical Dancer at my church.
We are doing a tap dance "satan is under my Feet". The sanctuary has 5,000
seats. If we bought a piece of REAL hardwood oak, do you believe that would
make the sound all the way to balcony, or do you suggest another piece of
wood.
Your problem here wouldn't be so much the type of wood as the enormous space
through which the sound will travel. And that's before you take into account
the room's acoustics which 95% of the time are pretty bad. What we do in
these situations is simply amplify the acoustic sound of our portable flooring
by using microphones.
-
I am a dance teacher and own my own
studio with a plywood floor. When I clean the floor, I sweep up a large amount
of blackish/grey particles from the taps. It gets on the students clothes and
hands. With a hardwood floor, would there still be this amount of residue?
No. If the hardwood floor is installed and finished properly there should be
little or no residue. Again, in our professional opinion one should NOT use
plywood floors for tap dancing, especially to teach classes!
-
We are remodeling our basement and I
would love to have an area for tap and workouts. I have a concrete floor
presently, but we are carpeting it. So in the area where I'd like to build the
floor, should I leave it concrete or carpet it first, then build the floor
over it?
If your floor is to be carpeted anyway, common sense would dictate that you
lay the carpeting on the whole floor, especially if your new tap/aerobics area
has a truly portable floor. This way you could move the dance floor
around if needed, and your house resale value wouldn't be negatively affected
by the "bare patch." Another advantage is that carpeting should help somewhat
muffle the sounds of both taps and music.
-
Hi. I'd like to practice in my room.
My room is on the second floor. I've put down a piece of 1/4 inch hardwood
4x8. Under that is the carpet and carpet pad, and under that is a plywood
floor on wood cross beams of some sort from the construction of the house.
Does this sound safe? Thanks!
Safe for the floors, yes. For your body, no. One of the biggest downsides of
standard plywood for us tappers is that due to its structure it tends to
absorb sound instead of properly dissipating it. As a result we tend to "pound
more" to get sound out of the floor. The result is frequently what's called
micro-injuries. Those are particularly vicious because they do not reveal
themselves for weeks, months, or sometimes years, and by then it's too late,
the damage to joints and bones has been done.
If you do ahead with this setup we'd recommend that you tap VERY lightly!
-
We have a maple floor in our
Activity Center that the tappers are not allowed to use because we will mark
up the floor and a stage that is masonite sections which is very slippery.
What could we put over the stage floor and what type of finish could we use on
the maple floor so we would be able to tap on it?
We know of maple floors that have been used by tappers for decades (and even
one for over a century) and only show normal wear and tear. A
properly trained tap teacher or tap rehearsal director
will not accept on the floor tappers whose shoes have loose screws, which are
pretty much the only things that can damage a maple floor. Short of this,
your TAPPERS BELONG ON THAT MAPLE FLOOR.
-
My daughter has a practice studio in
the basement, with the typical vinyl tile over concrete...needless to say she
is severely limited in tricks and turns due to fear of falling and/or injury.
What is your best suggestion? My concern is that she just have an area that is
safe to practice.
Your concerns are entirely justified, anywhere but there! Just pull up some
carpeting upstairs and let her tap there. If it's a sub floor it's not great
but it's far less dangerous. If it's a top floor made of hardwood as if very
often the case, she should just make sure her screws are nice and tight, she
can then practice to her heart's content without risk to the floor or, more
importantly, to herself.
-
Does the thickness of a floor affect
the sound of a tap shoe?
There are many other factors but yes, it most definitely does,
-
My cheer/dance gym is moving to a new
location and we want to add clogging. We can't do anything permanent to the
commercially carpeted floors. If I build a hardwood maple floor and place it
over the carpet, will it work and meet the standards?
There is no reason why it shouldn't. However, be prepared to have some
type of damage done to the areas where the floor rest on the carpet.
-
Need information on flooring call 'Timestep'
by Stagestep. Have been asked to lay Timestep flooring over our sprung
hardwood. What is potential for injuries, sound quality, and overall quality
of the surface for tapping and other dance forms. Please advise as soon as
possible.
We normally refrain on commenting on specific manufacturers, models, etc.
However, in our opinion that particular product (essentially a thick sheet of linoleum-type
flooring that meets none of the criteria which are listed above) has to
have one of the most unfortunate and inappropriate names we have ever seen,
for ANY kind of product. Sheer ignorance? Marketing gimmick? We have no idea,
but we can tell you that it must make the great pioneers of tap turn in their
graves...
Bottom line? You would be FAR better off tapping on your existing sprung
hardwood floor.
- At
my daughters dance studio, they recently installed a wood floor that does not
seem to be properly finished. Black particles from the tap shoes are getting
on the girls clothing, shoes, and more concerning their skin and in their
nose. Is there a health issue with this kind of dust floating around them?
Quite possibly, but your assumption that the "particles" come from the tap
shoes may well be incorrect.
-
I dance with senior tap dance club.
The HOA is concerned that we are ruining their 20 yr old hard wood stage.
There is no visible damage to the stage. Is there any finish that can be put
on the stage to keep it looking shinny and like new but will not be slipery
while we tap?
If there's no visible damage to the stage, then you gals are doing a great job
of keeping your tap screws tight and your shoes in good order.
The assumption
that YOU, tappers, will damage a hardwood floor that has seen twenty years of
stage activity is not an uncommon one, but it is grossly incorrect, not to
mention simply
absurd. There are many, many other things in and around a theater that
will cause far greater damage to a stage floor! In addition, putting a "shiny"
finish on any stage floor makes the life of lighting designers and crews
extremely difficult, so we'd advise staying away from that idea.
-
I have recently installed a Bamboo
Floor on a raised spring floor. I was told that Bamboo is as hard as Maple
flooring. After installation I put my tap shoes on and on every heel dig and
toe we discovered dents. Did we use the wrong type of wood?
Not necessarily. Deep dents could indicate that you have been "had" on that
particular floor but small dents are a normal part of the wear and tear on
floors that are used for all types of percussive dance. They do not
affect the lifespan of the floor and they often give it quite a bit of
character! Some of us have performed on maple and oak floors that were over
one hundred years old, had never been refinished, and probably had tens of
thousands of "dents." Those floors are gorgeous and they are amongst the best
we've ever tapped on.
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I am a Group Fitness Director. I added
tap classes to our schedule about two years ago. My upper managment is
suggesting we discontinue tapping due to the negative effect it has on the
floor (ie, dents). I think the cast iron weights from the 10+ per week muscle
sculpting classes is what is causing the dents. Thoughts?
Congratulations on having the foresight to add tap to your curriculum. While
generally considered a "low-impact," it is also one the best physical
activities for BOTH the body and the soul. As to the dents issue, weights
could very well be the culprit. Dents from taps and weights do look quite
different while examined close-up, so that's pretty easy to determine (and
hey, you could have your whole class do that while doing push-ups!)
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We are a group of senior citizens who
tap purely for physical and mental exercise. Our local college has a great
dance studio they allow us to use, but are concerned about our taps damaging
their oak wood floor, which they just refinished. Now that it is like a gym
floor, they have ask us to put down a covering such a plywood. Is there a
better alternative? What can we do to prevent scratching and denting the
floor?
The kind of very small and "soft-edged" dents that are caused by taps which
are of good quality (those taps that have among other features, no sharp edges
whatsoever) do NOT affect the longevity of a hardwood floor. But screws that
are not kept tightened and start sticking out can cause considerable damage to
the floor surface. This is the single most important thing we tappers can and
should do to prevent floor damage.
ANY responsible tapper should keep their taps properly fastened (and yes, do
forget about the "tune your taps" gobbledygook, it requires special, very hard
to find soles and doesn't make you a better tapper (quite the contrary,
actually!) Feel free to visit the Tapper's Page
where all this has also been discussed.
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I have a customer that wants to equip
her home with a tap floor. She has heard of Marley floors and has good
reviews. Im trying to make her happy with her floor. Please give me and idea
of your ideal floor. I'd really appreciate your advice on the best products
available.
It sounds like you have not even bothered reading this page before sending in
your question...
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I'm wondering if a "floating floor" is
appropriate for tap. I was told that floating floors (or maybe just some) are
made of hardwood (bamboo for example). Is it true and is such a floor really
appropriate? Thank you in advance.
Floating is just another term for "sprung" or resilient, although you will
always find some people who like to bicker about semantics. That has nothing
to do with the type of wood that is used though, these are two completely
separate things.
But the bottom line is, such floors are not only appropriate but a MUST (see
minimum standards at the top of this page for a quick summary list.)
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Hi guys thanks for the great info. Was
wanting to know what you have found wrong with MDF sheeting because
I've tapped on it at home for years and it's hard, loud, has good slide and
doesn't get damaged?
That's just one problem, MDF is hard. Too hard in fact. Yes, there is such a
thing as a floor that's too hard even though at the age of 20 you're unlikely
to notice it. But your body is absorbing all the pounding and trust us, your
joints and/or spine will pay the price sooner or later. Another problem
is the formaldehyde or other glues used to make MDF. While some manufacturers
emission levels, formaldehyde can still be very harmful (from itchy
eyes/throats to cancer-causing) and no one really knows how much time it takes
for formaldehyde to stop being emitted by a floor (IF it ever is.) A third
problem - and one that's very noticeable to us at the professional level but
may be less important to you - is MDF's extremely limited tonal range. Have
you noticed how all the steps more or less sound the same on MDF? Most tappers
in turn tend to tap even harder on it, which just compounds the abovementioned
problems.
While there are floors that are worse than MDF, we just cannot
recommend it in good conscience.


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